Reed Mathisit is Electric Beethoven is back with “New Path”, a rearrangement of the second movement of BeethovenPiano Sonata #8 with saxophonist Karl Deson. Posted via Eddie Robert‘ (The New Mastersounds) The Red color label, the track was inspired by the ancestor of jazz Charlie Parker and features Jason Han (The String Cheese Incident) on percussion.
“New Path” is the longest studio track Reed Mathis and Electric Beethoven have ever released, clocking in at 8:36. Mathis laid the groundwork for the song on electric guitar and hired the keyboardist Todd Stoops to play the bass line on synth. Drummer Josh Raymer added groove to the track, complemented by Hann’s percussion, but the saxophone stylings of Karl Denson, who has been a friend and mentor to Mathis since he sat with his first band, are most highlighted. Jacob Fred Jazz Odyssey20 years ago.
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Rather than recreate the melody of Beethoven’s original composition, Mathis and Denson decided to use an approach inspired by their shared love for Charlie Parker. Take the album Charlie Parker with ropes as a model, the duo “[eschewed] the written melody quite, … instead, weaving an improvised free-form melody out of the emotion contained in the raw chord changes,” according to a statement.
“New Path” will be among the songs featured on hear no evilthe band’s upcoming double LP, which will include a slew of previously unreleased tracks featuring fellow Color Red collaborators and “a comprehensive remix series of electronically produced reconfigurations of the band’s works by esteemed producers on today’s circuit” today”.
“New Path” is now available on all streaming platforms. Listen to the song via YouTube in the player below and click below to view the track’s credits.
Electric Beethoven – “New Path” (ft. Karl Denson)
Credits “New path”
Directed by Reed Mathis
Reed Mathis – Bass, Musical arrangement
Todd Stoops – keyboards, electric organ
Clay Welch – Guitar
Josh Raymer – Drums
Jason Hann – Percussion Instruments
Karl Denson – Saxophone
Tracking Engineer – Mike Tallman
Mixing Engineer – Rob Eaton
Overdub Engineer – Josh Fairman,
Mike Tallman Mastering Engineer – Doug Krebs
Earlier this year, Reed Mathis shared a behind-the-scenes video explaining the process he used to record his “soprano bass” part for “The Path,” another piece based on Beethoven’s Piano Sonata #8. The video explains how Mathis used an octave effect and a volume pedal to simulate the sound of a violin. Watch the video below to learn more.
Reed Mathis (Electric Beethoven) Followed by the soprano part in “The Path”