Verticoli takes us piece by piece through his new album The Echo


Hobart Rock Trio Verticoli have proven themselves to be one of the most promising bands in the south with their new album Resolved echoreleased on November 9. The 10-track project was in good hands, produced by Jon Grace (Dear Seattle, dune rat, Kingswood) and mixed by Forrester Savell (make them suffer, Karnivol, Butterfly Effect). Featuring singles “Hits of the Summer”, “True Love”, “Sailor” and “Pride & Legacy”, the record is an impressive effort by the band after their previous three EPs since their release in 2013.

Singer and guitarist Sam Hunn takes us through echo track by track to shed light on the creation and meaning of each song.

  1. “Sheltered”

“Undercover” is about feeling twisted inside, paranoid, generally unwell, and trying to hide it from everyone, and moving on when your perception of everything is distorted and you don’t feel like you can. trust. The main riff is a Tom Morello F# special, which is, in my opinion, the heaviest place to write a riff on a guitar in standard tuning. The song sounds like RATM, Stone Temple Pilots and Nirvana at a dinner party. I was really into the idea of ​​doing an ‘anti-guitar solo’ but on a shred guitar, which I think was a Jackson (borrowed, my Ibanez didn’t make the trip across Bass Strait to the studio). I like the juxtaposition.

  1. “Pride and Legacy”

“Pride & Legacy” is the Pixies strong and soft formula with a bit of a heavier edge (kudos for the inspiration Kurt). The lyrics are inspired by Roman rulers who send troops to conquer foreign lands and peoples in the name of prestige. Sort of like a “Disposable Heroes” except…well, it’s pretty much just “Disposable Heroes”, but unintentionally.

  1. “Summer Hits”

A nugget of summer! This song was developed from a demo that hadn’t been liked on my phone for years, and I listened to it and said, “What the hell is that! ” and I thought that was really cool. Then I had to figure out how to play it. I wrote lyrics about being hit when I was 19 in a love triangle. Good times. It’s always fun to hear something you can’t remember and think, “That’s crazy!”. It gives you confidence, and maybe you’re not totally clueless. Great drums, great bass. Alright, boys.

  1. “Silent Cry”

Musically, “Silent Scream” is probably one of the most interesting songs on the album, somewhat inspired by Refused and maybe Turnstile. Lyrically, it grew out of something I said to a mate once, “I wish we could all live together in a monastery” (Hi Anees, if you’re listening) when life got too complicated. And then it got a little darker as I fleshed out the verses…the monastery turned into a place to escape those dark thoughts and feelings and ‘sing the silent cry’.

  1. “Marine”

A salad, if you will! The only acoustic number on the album. But a little rocky too. Lyrically inspired by growing up and understanding that not everyone is so perfect, everyone struggles, and it’s really reassuring and even motivating to know that. It’s a reminder to tell my kids one day that I’ve made a lot of mistakes and that (hopefully) everything will be fine for them as it will be (hopefully, a work in progress) for me.

  1. “True love”

There is literally nothing to this song lyrically. It’s about a love of music and the passion and meaning to life it brings. It was one of my “song in a day” challenges where I would hide and force myself to be productive and get a song going. I was reading Dave Grohl’s autobiography at the time, and his inner core of motivation to keep writing music for God knows what reason resonated with me and shaped the subject of the song. Musically it’s quite dissonant, and a mate said he thought it was one of the most rhythmically interesting tracks on the album, which was cool to hear. We love grooves and beats as much as we love riffs.

  1. “Weak”

It’s a punk song from years ago! It’s been dragging on for a while. I felt pretty lovesick and as a result I wasn’t doing much that I liked to do, I was just thinking about that girl. One of the original lyrics was, ‘I don’t even play my guitar anymore, I’m only the shadow of a dog’. The first part was dropped, but that really sums up what the song is about. The chorus is that primal cry of frustration about something that’s occupying your every waking moment, but you’re desperate to shake off! I think most people can probably relate to the idea that love is great and we like to love, but it can also be the most annoying and debilitating thing when it hits at the wrong time, isn’t not reciprocal or destabilizes you.

  1. “Living”

As weird as it sounds, this song was inspired by lyrics from a book I read about Einstein. I remember these images came to mind while reading about his thought experiment on relativity and a train, someone on the train, someone outside the train, the passing train… I don’t I’m not going to pretend that I know anything about general relativity, and that’s not what the word relativity means in the lyrics. Still, the images generated by the author’s words stayed with me, and I just tried to describe with words what they made me feel about the passage of time and our short stay on earth. .

Musically, the song grew out of the first jam (drummer) that Colvin and I had when we started playing music together again after some time apart. We started jamming this stuff that sounded like the outro of Pearl Jam’s “Present Tense” song, or at least had that vibe. And then I started playing with the idea of ​​basically keeping the guitar pretty similar, but moving the bass underneath to do some cool chord changes, something that’s the root and the 5th becoming the root of a new chord, the 5th and 9th for example. It was a lot of fun making this song what it is.

  1. “Abandonment”

Not much to say about this song! Is it filler? You decide! We think it’s some kind of fringe. There’s that Evil Empire “three guys in a room banging each other” vibe, with nothing but a hard and fast performance. The song had two lyrical versions, one about my grandfather getting mad at me for swearing and the other about being a COG IN THE CAPITALIST SYSTEM. Unfortunately, the decision was made to go with the latter. At least it’s not communism.

  1. “The Echo”

I won’t say much about this song except that it’s the best song on the album. It was written in the last two days before we went into the studio. The song is about feeling like your rock ‘n’ role models, who all died young, somehow didn’t prepare you for so much beyond the age of 27. There’s a buzzing guitar part that mixes with big heavy chords and a kind of guitar solo standing on top of a mountain surrounded by a helicopter. If you only listen to one song, listen to this one.

Verticoli will take the new album across the country on an eight-date tour in November and December. Follow the band on Facebook and instagram for more.

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